When Movies Mattered: Reviews from a Transformative Decade

The Best: Le Petit Théâtre De Jean Renoir (jean Renoir) -- Family Plot (alfred Hitchcock) -- F For Fake (orson Welles) -- Days Of Heaven (terrence Malick) -- 10 (blake Edwards) -- Melvin And Howard (jonathan Demme) -- The Aviator's Wife (eric Rohmer) -- Francisca (manoel De Oliveira) -- The End Of Classical Hollywood: Classical Hollywood -- The Man Who Would Be King (john Huston) -- Fedora (billy Wilder) -- Escape From Alcatraz (don Siegel) -- The Human Factor (otto Preminger) -- New Hollywood -- The Driver (walter Hill) -- Halloween (john Carpenter) -- Reds (warren Beatty) -- Sudden Impact (clint Eastwood) -- New Directions In Comedy: Victor/victoria (blake Edwards) -- Risky Business (paul Brickman) -- Lost In America (albert Brooks) -- After Hours (martin Scorsese) -- Mavericks And Outsiders -- Dawn Of The Dead (george Romero) -- The Big Red One (samuel Fuller) -- Love Streams (john Cassavetes) -- Trouble In Mind (alan Rudolph) -- Other Visions: Old Masters --^ Dave Kehr. Includes Indexes.