Seeing Through Music: Gender and Modernism in Classic Hollywood Film Scores (Oxford Music / Media)
Franklin, Peter
This Title Levels The Critical Playing-field Between Film-music And So-called 'serious Music', Reflecting Upon Gender-related Ideas About Music And Modernism As Much As About Film. I: Music Into Film: Critical Cross-fades -- Men's Musicology/women's Films: Meanings Of Late Romanticism -- Exploitation And Seduction: Converging Responses To Popular Opera And Film -- Into The Mists...subjective Realms (and The Undoing Of Men?): Film's Critique Of Music -- Ii: Watching Symphonies: Cautionary Tales -- Symphonic Narratives (and Promiscuous Pleasure): Film Music And Changing Perceptions Of The Symphony In The Nineteenth Century -- Return Of The Undone Woman: Hollywood's Music And The Critical History Of Late Romanticism -- Modernism And 'the Image Of The Man': Hollywood Interprets Musical Modernism. Peter Franklin. Includes Bibliographical References And Index.
Motion picture music--History and criticism, Motion picture music--United States--History and criticism, Modernism (Music), ML2075 .F67 2011, 781.5/420820973
Name in long format: | Seeing Through Music: Gender and Modernism in Classic Hollywood Film Scores (Oxford Music / Media) |
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ISBN-10: | 0195383451 |
ISBN-13: | 9780195383454 |
Book pages: | 191 |
Book language: | en |
Edition: | Illustrated |
Binding: | Hardcover |
Publisher: | Oxford University Press |
Dimensions: | Height: 0.9 Inches, Length: 9.3 Inches, Width: 6.1 Inches |