Science And Structure In Proust's A La Recherche Du Temps Perdu

1. Maxims -- 1.1. The Proustian Critique -- 1.2. Proust As Moraliste -- 1.3. Writing La Bruyere And Rewriting -- 1.4. Concluding Our Reading Of Maxims -- 1.5. Proust As Scientist -- 1.6. Poincare's Science And Method -- 2. Correspondence Between Art And Science -- 3. Retroduction -- 4. Hypothesis -- 4.1. Tracing Hypothesis -- Abundance -- 4.2. The Hypothetical Norm -- 4.3. 'a Propos Des Deux Hypotheses Essentiel' -- 5. Modelling -- 5.1. Modelling Aesthetics -- 5.2. Swann's Story -- 5.3. Scientific Modelling -- 5.4. A Correspondence Course In Modelling -- 5.5. Metaphor Or Model? -- 5.6. Sodome Et Gomorrhe -- 5.7. Botany: The State Of The Field -- 5.8. Genesis Of The Model -- 5.9. The Aesthetic Model -- 6. Knowledge As Revolution And Revelation -- 6.1. Revelation And The Archive: Male Homosexuality -- 6.2. Revelation And Aporia: Female Homosexuality -- 6.3. Narratives Of Revelation -- 7. Theory-laden Souffrance -- 8. Serendipity. Nicola Luckhurst. Includes Bibliographical References (p. [245]-256) And Index.