It All Adds Up: From the Dim Past to the Uncertain Future (Penguin Great Books of the 20th Century)

Saul Bellow's fiction, honored by a Nobel Prize and a Pulitzer, among other awards, has made him a literary giant. Now, in his first nonfiction collection, Bellow's learned and original mind shines through over four decades of reflections on literature, on the state of the artist in the "violent uproar" of contemporary life, and on life itself, "the mysteries of our common human nature." Beginning with "Mozart: An Overture," a personal bicentennial tribute to the composer who means so much to Bellow, these carefully selected pieces, illuminated by Bellow's absolute clarity of language, range from his Nobel Prize lecture of 1976 to ruminations about his beloved city of Chicago, a city, Bellow writes, that "builds itself up, knocks itself down again, scrapes away the rubble, and starts over"; to remembrances of passing friends - John Cheever, Allan Bloom, Isaac Rosenfeld, John Berryman; to the state of the novel in our time. Along the way, he invokes Tolstoy, Dostoyevsky, Flaubert, Proust, Conrad, and other masters of the novel to bear the testament of his own life, his conviction of what the novel as a work of art can do for a society benumbed by technology. Also included in this rich collection are pastoral, provocative travel pieces on Spain, Israel, Paris, Tuscany, and other special haunts. And finally, as the chef d'oeuvre, the revealing question-and-answer piece comprising "A Half Life," and "A Second Half Life," which is as close as we will come to an autobiography from this contemporary master of American fiction.

Publishers Weekly

Fans of Nobel Prize-winning author Bellow should enjoy this wide-ranging selection of more than 30 nonfiction pieces--lectures and articles reprinted from Esquire , the New Republic , the New York Times , etc. Bellow's roving and astute eye produces memorable reportage, such as a portrait of a retired Chicago con man and other Windy City scenes, and his view of the signing of the Egyptian-Israeli peace treaty. He also offers neat sketches of colleagues like Allan Bloom, John Berryman and John Cheever. But the meat of the book is Bellow's tart, sometimes dyspeptic cultural commentary, exemplified by his Nobel Lecture criticizing writers for failing to challenge orthodoxies, and his laments at the useless distractions of the Information Revolution and the intellectual frivolities of bohemian New York City. Invoking Tolstoy, Nabokov and Flaubert, among others, Bellow muses on the novelist's responsibilities and, in three lively interviews, offers illuminating autobiographical reflections on reading, writing, teaching and life (``I've had more metamorphoses than I can count''). 50,000 first printing; $40,000 ad/promo. (Mar.)