Introduction to Aesthetics: An Analytic Approach

Introduction To Aesthetics: An Analytic Approach Traces Aesthetics From Its Ancient Beginnings Through The Changes It Underwent In The Eighteenth, Nineteenth, And The First Half Of The Twentieth Century. The First Half Of The Book Outlines The History Of The Two Organized Notions Of Aesthetics - The Theory Of Beauty And The Theory Of Art - And Describes The Transformation They Went Through From Ancient Greek Times Until The 1950s. The Responses Of The Cultural Theories In The 1960s To These Earlier Developments Are Then Discussed In Detail. Four Addition Topics - Intentionalistic Criticism, Symbolism, Metaphor, And Expression - Are Also Addressed. Finally, Five Traditional Art Evaluational Theories Are Presented, And The Author Constructs An Evaluational Theory Of His Own By Building On Ideas Drawn From The Work Of Monroe Beardsley And Nelson Goodman. Written By One Of The Foremost Philosophers Of Aesthetics, This Engaging Text Is Ideal For Undergraduate Courses In The Philosophy Of Art And Aesthetics, And Is Also Suitable For Graduate Seminars And Courses In These Areas. It Offers Students Both A Historical Introduction To And The Latest Work On Theories Of Art, Theories Of The Experience Of Art, And Theories Of Art Evaluation. Pt. I. An Historical Introduction To Analytic Aesthetics. Ch. 1. Introductory Remarks. Ch. 2. The Theory Of Beauty: Plato To The Nineteenth Century. Ch. 3. The Aesthetic Attitude In The Twentieth Century. Ch. 4. Metacriticism: Alternative To Aesthetic Attitude. Ch. 5. The Theory Of Art: Plato To The Nineteenth Century. Ch. 6. Twentieth-century Theories Of Art: 1914 To The 1950s -- Pt. Ii. Aesthetics In The Twentieth Century: 1960s To Present. Ch. 7. A Change Of Directions And New Developments. Ch. 8. The Institutional Theory Of Art -- Pt. Iii. Four Problems In Aesthetics. Ch. 9. Intentionalist Criticism. Ch. 10. Symbolism In Art. Ch. 11. Metaphor. Ch. 12. Expression -- Pt. Iv. The Evaluation Of Art. Ch. 13. Twentieth-century Theories Of Evaluation. Ch. 14. Monroe Beardsley's Instrumentalism. Ch. 15. Nelson Goodman's Instrumentalism. Ch. 16. Another Kind Of Instrumentalism. George Dickie. Includes Bibliographical References (p. [179]-181) And Index.