Graduate Review of Tonal Theory: A Recasting of Common-Practice Harmony, Form, and Counterpoint

Part 1. Contextualizing Theory And Analysis: Fundamentals. Ch. 1. Musical Time And Space ; Ch. 2. Harnessing Musical Time And Space ; Ch. 3. Making Choices: When Harmony, Melody, And Rhythm Merge -- Pt. 2. Diatonic Harmony: Functions, Expansions, And The Phrase Model. Ch. 4. Composition And Analysis: Using I, V, And V7 ; Ch. 5. Contrapuntal Expansions Of Tonic And Dominant ; Ch. 6. The Pre-dominant, Phrase Model, And Additional Embellishments -- Pt. 3. Elaborating The Phrase Model And Combining Phrases. Ch. 7. Six-four Chords, Non-dominant Seventh Chords, And Refining The Phrase Model ; Ch. 8. The Submediant And Mediant Harmonies ; Ch. 9. The Period, Double Period, And Sentence ; Ch. 10. Harmonic Sequences: Concepts And Patterns -- Pt. 4. Chromaticism And Larger Forms ; Ch. 11. Applied Chords And Tonicization ; Ch. 12. Modulation And Binary Form ; Ch. 13. Expressive Chromaticism: Modal Mixture And Chromatic Modulation ; Ch. 14. Two Important Chromatic Harmonies: The Neapolitan Chord And The Augmented Sixth Chord ; Ch. 15. Ternary And Sonata Forms -- Appendix. Additional Formal Procedures ; Subphrases And Composite Phrases ; Variation Techniques ; Ternary Form And The Nineteenth-century Character Piece ; Rondo ; Further Characteristics Of Sonata Form. Steven G. Laitz, Christopher Bartlette. Includes Index. Listing Of Dvd Text And Workbook Examples, P. 259-262.