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Against Theatre

Alternative Chinese Opera in the Age of Globalization

An Actor's Craft: The Art and Technique of Acting

As You Like It (Shakespeare Handbooks)

Automata and Mimesis on the Stage of Theatre History

Avant-Garde Performance and Material Exchange

Beyond the Golden Door

Biographical Theatre

Brian Friel

British Film Music and Film Musicals

British Theatre of the 1990s

Children and Theatre in Victorian Britain

Choreographing the Global in European Cinema and Theater

Comedy Matters

Community Theatre and AIDS (Studies in International Performance)

Contemporary French Theatre and Performance

Contesting Performance

Danj?r?’s Girls

David Mamet: A Life in the Theatre

Digital Practices

Disability Culture and Community Performance

Documentation, Disappearance and the Representation of Live Performance

Drama and the Sacraments in Sixteenth-Century England

Early Modern Tragedy, Gender and Performance, 1984-2000

Embodied Performances

Engaging Audiences

Feeling Theatre

Hegemony and Fantasy in Irish Drama, 1899-1949

Howard Barker: Ecstasy and Death

Hysteria, Trauma and Melancholia

Imagining Shakespeare

Interpreting the Play Script: Contemplation and Analysis

John Ruskin and the Victorian Theatre

Knowing Shakespeare

Lady Macbeth in America

London in Early Modern English Drama

Mapping Landscapes for Performance as Research

Masculinities and the Contemporary Irish Theatre

Memory in Play

Mendel’s Theatre

Naming Theatre

National Myth and Imperial Fantasy

New Deal Theater

On the Uses of the Fantastic in Modern Theatre

Pacific Performances

Performance Affects

Performance and Cosmopolitics

Performance and Place

Performance and Technology: Practices of Virtual Embodiment and Interactivity

Performance and the City

Performance in the Blockades of Neoliberalism: Thinking the Political Anew (Studies in International Performance)

Performance in the Borderlands

Performance Perspectives: A Critical Introduction

Performance, Cognitive Theory, and Devotional Culture

Performance, Ethics and Spectatorship in a Global Age

Performance, Exile and ‘America’

Performance, Movement and the Body

Performing Childhood in the Early Modern Theatre

Performing Class in British Popular Music

Performing Otherness

Performing the Body in Irish Theatre

Players, Playwrights, Playhouses

Playing to the Crowd

Politics and Violence in Cuban and Argentine Theater

Puppetry: A Reader in Theatre Practice

Queen Victoria and the Theatre of Her Age

Queer Theatre and the Legacy of Cal Yeomans

Racial Geometries of the Black Atlantic, Asian Pacific and American Theatre

Reading the Body in the Eighteenth-Century Novel

Refugees, Theatre and Crisis: Performing Global Identities (Performance Interventions)

Representation and Identity from Versailles to the Present

Russian Culture and Theatrical Performance in America, 1891-1933

Shakespeare and Youth Culture

Shakespeare in Transition

Shakespearean Neuroplay

Shakespeare’s Speculative Art

Staging Age: The Performance of Age in Theatre, Dance, and Film

Staging and Performing Translation: Text and Theatre Practice (Cultural Criminology)

Staging International Feminisms

Staging Modern American Life

Staging Motherhood

Staging Shakespeare at the New Globe

The Art of Clowning

The Changing Language of Modern English Drama 1945–2005

The Chemistry of the Theatre

The Fool in European Theatre

The Illusion of Leadership: Directing Creativity in Business and the Arts

The Performing Century

The Rise of Performance Studies: Rethinking Richard Schechner's Broad Spectrum (Studies in International Performance)

The Spaces of Irish Drama: Stage and Place in Contemporary Plays

The Sultan Speaks

The Theatre of Aphra Behn

The Theatre of Joseph Conrad

The Theatre of War

The Theatres of Morocco, Algeria and Tunisia

Theatre and Audience

Theatre and Education

Theatre and Race

Theatre and Religion on Krishna’s Stage

Theatre and the City