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1950s “Rocketman” TV Series and Their Fans

A Feminine Cinematics

A New Guide to Italian Cinema

Abjection and Representation

Accountability and the Public Interest in Broadcasting

American Gangster Cinema

American Protestants and TV in the 1950s

American Television on British Screens

Avant-Garde Performance and Material Exchange

Bakhtin and the Movies

Black Is the New Green

British Silent Cinema and the Great War

British Social Realism in the Arts since 1940

Cinema and the Swastika

Cinema, Technologies of Visibility, and the Reanimation of Desire

Cities, Words and Images

Communication in the Age of Suspicion

Community Media

Constructing Crime

Dance on Screen

Destabilizing the Hollywood Musical

Early Modern Tragedy and the Cinema of Violence

East Asian Cinema and Cultural Heritage: From China, Hong Kong, Taiwan to Japan and South Korea

East Asian Cinemas

Eric Rohmer

Ethical Issues in International Communication

European Cinema after 1989

European Cinema and Intertextuality

European Cinema in Motion

Fantasy Film Post 9/11

Fictions of the City

Film and Female Consciousness: Irigaray, Cinema and Thinking Women

Film, Form and Phantasy

Filming and Performing Renaissance History

From Pinewood to Hollywood: British Filmmakers in American Cinema, 1910-1969

Gender and Sexuality in Weimar Modernity

German Postwar Films

Graham Greene and the Politics of Popular Fiction and Film

Hollywood and Intimacy

Hollywood Before Glamour

Hollywood's Detectives: Crime Series in the 1930s and 1940s from the Whodunnit to Hard-boiled Noir (Crime Files)

Holocaust Impiety in Literature, Popular Music and Film

Housework and Housewives in American Advertising: Married to the Mop

Investigating Shrek

It Came From the 1950s!

Italian Cinema

Legacies of Plague in Literature, Theory and Film

Love in the Time of Cinema

Love, Mortality and the Moving Image

Masculinity and Film Performance

Medieval and Early Modern Film and Media

Misfit Sisters

Modular Narratives in Contemporary Cinema

Monetary Economics

Movies That Move Us: Screenwriting and the Power of the Protagonist's Journey

Music, Radio and the Public Sphere

National Identity in Global Cinema

New Argentine Film

New Takes in Film-Philosophy

Oprah, Celebrity and Formations of Self

Other Worlds

Phantoms of War in Contemporary German Literature, Films and Discourse: The Politics of Memory (New Perspectives in German Political Studies)

Popular Spanish Film Under Franco

Possessed Child Narratives in Literature and Film

Postmodern Chick Flicks

Presidents in the Movies

Public Television in the Digital Era

Race, Class, and Gender in "Medieval" Cinema

Reading 'Bollywood'

Realism and the Audiovisual Media

Refractions of Reality: Philosophy and the Moving Image

Religion in Literature and Film in South Asia

Remembering the Occupation in French film

Repicturing the Second World War

Representations of Femininity in American Genre Cinema

Satyajit Ray's The Chess Players and Postcolonial Film Theory

Science, Literature, and Film in the Hispanic World

Screening Novel Women

Screening the Unwatchable: Spaces of Negation in Post-Millennial Art Cinema

Sexual Difference in European Cinema

Sexual Visuality From Literature To Film 1850-1950

Spain on Screen

Stieg Larsson's Millennium Trilogy

Television and Terror

Television at the Crossroads

Television, Memory and Nostalgia (Palgrave Macmillan Memory Studies)

The City and the Moving Image: Urban Projections

The English Renaissance in Popular Culture

The Films of Ingmar Bergman

The Films of Stephen King

The Films of the Nineties

The Gothic Imagination

The Holiday and British Film

The Invention of Europe in French Literature and Film

The Modern Vampire and Human Identity

The New Film History

The Politics of Affect and Emotion in Contemporary Latin American Cinema

Tokyo Cyberpunk: Posthumanism in Japanese Visual Culture

Tolkien

Towards a Market in Broadcasting