Search

1950s “Rocketman” TV Series and Their Fans

A Clockwork Orange

A Feminine Cinematics

A New Guide to Italian Cinema

Abjection and Representation

Accountability and the Public Interest in Broadcasting

American Gangster Cinema

American Television on British Screens

Antony and Cleopatra

Asian and Pacific Cosmopolitans

Audiovisual Translation

Bakhtin and the Movies

Bourdieu, Language and the Media

British Film Music and Film Musicals

British Literature of the Blitz

British Silent Cinema and the Great War

Choreographing the Global in European Cinema and Theater

Cinema, Law, and the State in Asia

Cinema, Technologies of Visibility, and the Reanimation of Desire

Class Representation in Modern Fiction and Film

Creativity

Destabilizing the Hollywood Musical

Digital Practices

Early Modern Tragedy and the Cinema of Violence

Early Modern Tragedy, Gender and Performance, 1984-2000

East Asian Cinema and Cultural Heritage: From China, Hong Kong, Taiwan to Japan and South Korea

East Asian Cinemas

Eric Rohmer

European Cinema after 1989

European Cinema and Intertextuality

European Cinema in Motion

Fantasy Film Post 9/11

Feeling Theatre

Fictions of the City

Film and Female Consciousness: Irigaray, Cinema and Thinking Women

Film, Form and Phantasy

Filming and Performing Renaissance History

French and American Noir

From Pinewood to Hollywood: British Filmmakers in American Cinema, 1910-1969

Gambades - Piano

Gay Identity, New Storytelling and The Media

Genre in Asian Film and Television: New Approaches

German Postwar Films

Global Mexican Cultural Productions

Graham Greene and the Politics of Popular Fiction and Film

Henry: Portrait of a Serial Killer

Hip-Hop Revolution in the Flesh

Hollywood and Intimacy

Hollywood Before Glamour

Hollywood Films about Schools: Where Race, Politics, and Education Intersect

Hollywood's Detectives: Crime Series in the 1930s and 1940s from the Whodunnit to Hard-boiled Noir (Crime Files)

Investigating Shrek

Italian Cinema

Lesbians in Television and Text after the Millennium

Literature and Visual Technologies

Love in the Time of Cinema

Love, Mortality and the Moving Image

Madness, Power and the Media

Male Trouble

Masculinity and Film Performance

Medieval and Early Modern Film and Media

Memory Culture and the Contemporary City

Misfit Sisters

Modular Narratives in Contemporary Cinema

Movies That Move Us: Screenwriting and the Power of the Protagonist's Journey

Multicultural Encounters

National Identity in Global Cinema

New Argentine Film

New Takes in Film-Philosophy

Opinion Polls and the Media: Reflecting and Shaping Public Opinion

Other Worlds

Performance and Technology: Practices of Virtual Embodiment and Interactivity

Philosophy and The Hitchhiker's Guide to the Galaxy

Popular Spanish Film Under Franco

Possessed Child Narratives in Literature and Film

Postmodern Chick Flicks

Presidents in the Movies

Public Television in the Digital Era

Race, Class, and Gender in "Medieval" Cinema

Re-Reading Harry Potter

Reading 'Bollywood'

Realism and the Audiovisual Media

Refractions of Reality: Philosophy and the Moving Image

Remembering the Occupation in French film

Repicturing the Second World War

Representations of Femininity in American Genre Cinema

Screening the Unwatchable: Spaces of Negation in Post-Millennial Art Cinema

Sexual Difference in European Cinema

Sexual Visuality From Literature To Film 1850-1950

Shakespeare, Film, Fin de Siecle

Spain on Screen

Star Trek

Stieg Larsson's Millennium Trilogy

Technologies of Memory in the Arts

Television and Terror

Television at the Crossroads

Television News, Politics and Young People

Television, Memory and Nostalgia (Palgrave Macmillan Memory Studies)

The Art of Clowning

The Birth of British Television