Search

"Taken by the Devil": The Censorship of Frank Wedekind and Alban Berg's Lulu (AMS Studies in Music)

A History of Bel Canto

A Short History of Opera, Fourth Edition

A Sociable Moment: Opera and Festive Culture in Baroque Siena

American Opera (Music in American Life)

An Interpretive Guide to Operatic Arias

An Interpretive Guide to Operatic Arias: Handbook for Singers, Coaches, Teachers and Students

Ancient Drama in Music for the Modern Stage

Antonio's Wife: A Novel

Ariane & Bluebeard

Backstage at the Revolution: How the Royal Paris Opera Survived the End of the Old Regime

Baker's Dictionary of Opera

Bel Canto

bel canto

Berg's Wozzeck

Bewitching Russian Opera: The Tsarina from State to Stage

Bizet

Black Opera: History, Power, Engagement

Bravo! Brava! A Night at the Opera: Behind the Scenes with Composers, Cast, and Crew

Cabals and Satires: Mozart's Comic Operas in Vienna

Carmen and the Staging of Spain: Recasting Bizet's Opera in the Belle Epoque (Currents in Latin American and Iberian Music)

Changing the Score

Children Talk About the Mind

Chinatown Opera Theater in North America (Music in American Life)

Concise Oxford Dictionary of Opera

Days of Twilight, Nights of Frenzy

Death-Devoted Heart: Sex and the Sacred in Wagner's Tristan and Isolde

Deaths in Venice: The Cases of Gustav von Aschenbach (Leonard Hastings Schoff Lectures)

Divas and Scholars: Performing Italian Opera

English theatre music in the eighteenth century

Feasting and Fasting in Opera: From Renaissance Banquets to the Callas Diet

Financial scrutiny of the Royal Opera House, Covent Garden Ltd: Report to the Earl of Gowrie, Minister for the Arts

Finding My Voice: My Story

First Rival of the Metropolitan Opera

Five Operas and a Symphony: Word and Music in Russian Culture (Russian Literature and Thought Series)

Fortissimo

French Musical Culture and the Coming of Sound Cinema

French Opera

French Opera at the Fin De Siècle: Wagnerism, Nationalism, and Style

French Opera At The Fin De Siècle: Wagnerism, Nationalism, And Style

French Opera: A Short History

Georges Bizet's Carmen (The Oxford Keynotes Series)

Gilbert and Sullivan: A Dual Biography

Gioachino Rossini's The Barber of Seville

Gluck And The French Theatre In Vienna

Good Afternoon, Ladies And Gentlemen!

Good Afternoon, Ladies and Gentlemen!: Intermission Scripts from the Met Broadcasts

Grand Illusion: Phantasmagoria in Nineteenth-Century Opera

Handel and His Singers: The Creation of the Royal Academy Operas, 1720-1728 (Oxford Monographs on Music)

Handel And The Opera Seria (the Ernest Bloch Lectures)

Handel's Operas 1704-1726

Henry Purcell's Dido and Aeneas

Huju: Traditional Opera in Modern Shanghai (British Academy Postdoctoral Fellowship Monographs)

Inca Music Reimagined

Inside Bluebeard's Castle: Music and Drama in Béla Bartók's Opera: Music and Drama in Bela Bartok's Opera

Inventing the Business of Opera

Italian Opera In Late Eighteenth-century London

Italian Opera in Late Eighteenth-Century London: The King's Theatre, Haymarket, 1778-1791, Vol. 1

Joyce's Grand Operoar

Joyce's Grand Operoar: Opera In *finnegans Wake*

Kurt Weill's America

Le Chant Intime: The interpretation of French mélodie

Living Opera

Living Opera

Local Glories: Opera Houses on Main Street, Where Art and Community Meet

Mamontov's Private Opera: The Search for Modernism in Russian Theater (Russian Music Studies)

Maskerade

Maskerade

Maskerade: A Novel of Discworld

Master Singers: Advice from the Stage

Melodies And Memories

Monteverdi's Musical Theatre

Music and Spectacle in Baroque Rome: Barberini Patronage under Urban VIII

Music at the Limits

Music in the Present Tense

Music with Words: A Composer`s View

Music, Theater, and Cultural Transfer: Paris, 1830-1914

Musical Symbolism in the Operas of Debussy and Bartok

Naples and Neapolitan opera, (Oxford monographs on music)

Networking Operatic Italy (Opera Lab: Explorations in History, Technology, and Performance)

O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage

Oh Joy! Oh Rapture!: The Enduring Phenomenon of Gilbert and Sullivan

Opera After the Zero Hour

Opera and Ideas: From Mozart to Strauss

Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy

Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy

Opera as Hypermedium: Meaning-Making, Immediacy, and the Politics of Perception

Opera Before Mozart

Opera Before Mozart.

Opera for the People: English-Language Opera and Women Managers in Late 19th-Century America (AMS Studies in Music)

Opera Guide, The Penguin (The Viking Opera Guide)

Opera In Dublin, 1798-1820: Frederick Jones And The Crow Street Theatre

Opera in the Jazz Age

Opera in the Tropics

Opera in the Twentieth Century: Sacred, Profane, Godot

Opera Observed: Views Of A Florentine Impresario In The Early Eighteenth Century

Opera on Record

Opera: A History in Documents

Opera: A Listener's Guide

Operatic Geographies: The Place Of Opera And The Opera House