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1950s “Rocketman” TV Series and Their Fans

Against Theatre

Alternative Chinese Opera in the Age of Globalization

Automata and Mimesis on the Stage of Theatre History

Avant-Garde Performance and Material Exchange

Beckett, Literature and the Ethics of Alterity

Beyond the Golden Door

Biographical Theatre

Brian Friel

British Theatre of the 1990s

Children and Theatre in Victorian Britain

Cognition in the Globe

Community Theatre and AIDS (Studies in International Performance)

Contemporary French Theatre and Performance

Contesting Performance

Dancing Naturally: Nature, Neo-Classicism and Modernity in Early Twentieth-Century Dance

David Mamet: A Life in the Theatre

Digital Practices

Directors and the New Musical Drama

Disability Culture and Community Performance

Engaging Audiences

Extramural Shakespeare

Feeling Theatre

Feminist Futures?

Filming and Performing Renaissance History

Foreign and Native on the English Stage, 1588-1611: Metaphor and National Identity (Early Modern Literature in History)

From Performance to Print in Shakespeare's England

Hegemony and Fantasy in Irish Drama, 1899-1949

Howard Barker: Ecstasy and Death

Ibsen and the Irish Revival

Imagining Shakespeare

It Came From the 1950s!

John Ruskin and the Victorian Theatre

Knowing Shakespeare

Lady Macbeth in America

Legacies of Plague in Literature, Theory and Film

Localizing Caroline Drama

London in Early Modern English Drama

Mapping Landscapes for Performance as Research

Masculinities and the Contemporary Irish Theatre

Masculinity, Crime and Self-Defence in Victorian Literature: Duelling with Danger (Crime Files)

Memory in Play

Mendel’s Theatre

Metaphor and Shakespearean Drama

Musical Comedy on the West End Stage, 1890 - 1939

Naming Theatre

National Myth and Imperial Fantasy

New Deal Theater

New Faculty

New Faculty

New Women Dramatists in America, 1890-1920

On the Uses of the Fantastic in Modern Theatre

Pacific Performances

Performance Affects

Performance and Cosmopolitics

Performance and Femininity in Eighteenth-Century German Women's Writing

Performance and Place

Performance and the City

Performance in the Blockades of Neoliberalism: Thinking the Political Anew (Studies in International Performance)

Performance in the Borderlands

Performance, Cognitive Theory, and Devotional Culture

Performance, Ethics and Spectatorship in a Global Age

Performance, Exile and ‘America’

Performing Bodies in Pain

Performing Childhood in the Early Modern Theatre

Performing Magic on the Western Stage

Performing Otherness

Performing the Body in Irish Theatre

Players, Playwrights, Playhouses

Playing to the Crowd

Playing with Theory in Theatre Practice

Popular Shakespeare

Queen Victoria and the Theatre of Her Age

Queer Theatre and the Legacy of Cal Yeomans

Racial Geometries of the Black Atlantic, Asian Pacific and American Theatre

Re-Visioning Lear's Daughters

Refugees, Theatre and Crisis: Performing Global Identities (Performance Interventions)

Renaissance Earwitnesses

Representation and Identity from Versailles to the Present

Russian Culture and Theatrical Performance in America, 1891-1933

Sex and Aesthetics in Samuel Beckett's Work (New Interpretations of Beckett in the Twenty-First Century)

Shakespeare and the Institution of Theatre

Shakespeare and Youth Culture

Shakespeare in Transition

Shakespeare's Cross-Cultural Encounters

Shakespeare's Great Stage of Fools

Shakespearean Neuroplay

Shakespeare’s Visual Regime

Staging Age: The Performance of Age in Theatre, Dance, and Film

Staging and Performing Translation: Text and Theatre Practice (Cultural Criminology)

Staging Black Feminisms

Staging International Feminisms

Staging Modern American Life

Staging Motherhood

The Ancient World on the Victorian and Edwardian Stage

The Body and the Arts

The Changing Language of Modern English Drama 1945–2005

The Chemistry of the Theatre

The English Renaissance in Popular Culture

The Fool in European Theatre